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Roy Samuelson helps companies turn accessibility into unforgettable storytelling. His newsletter shares sharp insights on inclusive content, the craft of audio description, and how human + AI voice can build trust, clarity, and emotional impact.
Hey Reader, When I started performing Audio Description, pickups seemed pretty cut and dry; it’s my voice replacing an old line with a new line. Easy, right? Well, one of the very first pick ups I did when I listened back …, yeah, it was my voice, but there was a lot that just seemed off! That initially threw me, until I learned some ways to make sure it slid in just right, like a baton moving from one runner to the other at a relay race. And this goes for most areas of voiceover, not just...
Hey Reader, TL;DR: Letting go of control, comfort in the uncomfortable, disappointments are opportunities, and how it connects to the AD Playback Lounge, and speaking in Toronto. In The Antidote, Oliver Burkeman mentions a word someone else coined for the opposite of closure: opensure. The idea is that it’s the ambiguity of the unresolved. As uncomfortable as that is, it can be a strange sort of acceptance. I felt that ambiguity watching You Can See Everything, a three-hour documentary that...
Hey Reader, Ten years ago I found out hundreds of my Audio Description credits had been pulled from a website. It hurt my business. So I went to a coffee shop and built my own website. I'll be honest about the first reason. It was selfish. They were my credits and that's my credibility. But there was a second reason that's always been on my radar. When a track got noticed, people asked me why I wrote something a certain way. Or why it didn't travel from cinema to streaming. Legitimate...