Boothcamp, fall 2026. All of it.


Hey Reader,

In June I sold you three programs at once and asked you to pick between them in the first email, before you knew enough about any of them to pick. That was a lot! Some of you told me so.

This fall there's one thing. You'll get a few more emails about it and then it's done. If you'd rather sit this one out, click here and I'll leave you off the rest. You stay on the newsletter and nothing else changes.

Here's the one thing.

BoothCamp. Eight weeks, eight people, starting Wednesday September 16th, 5:30pm Pacific (8:30pm Eastern) through November 4th.

The first four weeks are live performance coaching on real Audio Description material. You perform, you get feedback, and you perform it again.

The last four weeks you build one piece of Audio Description that's yours, on material you pick, plus the approach that puts it in front of someone who can hire you.

Sixty minutes a week, Wednesday evenings Pacific. Live, never recorded, because showing up is what matters here. And my inbox is open to you the whole eight weeks.

$497. It goes up next year. The first four people in also get The High Wire Act, my $97 Audio Description performance course, at no cost, and I send the access link within a day.

Now the part people ask about. Experience level? If you're new to Audio Description, that's fine. Twenty years in the industry is fine, too. If you'd rather not be heard and stay on your own while you're still working something out, this BoothCamp probably isn't for you.

​[ CLAIM A SEAT ]​

Or reply and tell me where you are in your work. I'll give you an honest answer about fit, including a gentle no.

This is the course I wished I would have had when I started. It's collaborative, enjoyable, and something to look forward to. I look forward to seeing you in the BoothCamp.

Roy

New. Try your hand at visual karaoke.

600 1st Ave, Ste 330 PMB 92768, Seattle, WA 98104-2246
​Unsubscribe · Preferences​

Roy Samuelson

Roy Samuelson helps companies turn accessibility into unforgettable storytelling. His newsletter shares sharp insights on inclusive content, the craft of audio description, and how human + AI voice can build trust, clarity, and emotional impact.

Read more from Roy Samuelson

Hey Reader, When I started performing Audio Description, pickups seemed pretty cut and dry; it’s my voice replacing an old line with a new line. Easy, right? Well, one of the very first pick ups I did when I listened back …, yeah, it was my voice, but there was a lot that just seemed off! That initially threw me, until I learned some ways to make sure it slid in just right, like a baton moving from one runner to the other at a relay race. And this goes for most areas of voiceover, not just...

Hey Reader, Lots of streams of consciousness here for this one. In Toronto last week, my slides wouldn’t display. All 35 of them. So I winged it. Turned out pretty good! I got to meet some really great people. And on the flight home, a colleague called. He’d just spoken in Vancouver (of all places) and asked if I’d speak at an event. He wants to introduce me. I’ve also started a course to apply for a grant, which means I’m interviewing people. Each conversation confirms an assumption or...

Hey Reader, TL;DR: Letting go of control, comfort in the uncomfortable, disappointments are opportunities, and how it connects to the AD Playback Lounge, and speaking in Toronto. In The Antidote, Oliver Burkeman mentions a word someone else coined for the opposite of closure: opensure. The idea is that it’s the ambiguity of the unresolved. As uncomfortable as that is, it can be a strange sort of acceptance. I felt that ambiguity watching You Can See Everything, a three-hour documentary that...